Wednesday, December 10, 2014

Live Review: Taylor Swift and Ariana Grande at the Victoria's Secret Fashion Show


Last week, Taylor Swift and Ariana Grande performed for the Victoria's Secret Fashion show, and yesterday we got to see these performances for the first time. Taylor rolled out Blank Space and (1989's best track) Style, while Ariana Grande took the liberty to do a 5 minute long greatest hits medley. How did they fare?

Taylor's performance notably benefitted from two things: playback and voice processing. Over the past week it's obvious that some voice processing was used on her voice, creating an ever so slightly noticeable metallic twang to her voice. The playback also undoubtedly helped her stay on pitch and cover her voice at points, like Blank Space's chorus. She also had some throaty strain on some of the higher portions that signaled distress. That being said, one can't deny that what Taylor doesn't bring to the table in vocals, she makes up for with performing. 

With all the facial expressions, hair grabbing and body language, she can sell a performance. Even while she was just standing on a runway and singing, she acted out the song enough to make it come alive, even when most of the attention wasn't on her. She's come a long way in the past few years, and she seems to know now how to play her strengths.

Overall: B+


Ariana however, is like Taylor's opposite. She always brings impressive - albeit sometimes pitchy - vocals, but can't seem to diversify her performances enough to make them interesting. We've essentially seen the same over-knee boots, ponytail and give or take cat ears since April, and she's used the greatest hits medley without Love Me Harder at the X Factor Australia and the American Music Awards. While one must admire her work ethic, her creativity for live performances just isn't there yet. Perhaps her and Taylor could give each other some tips on their strengths?

Ariana's performance was by her standards, okay. Her riff on "is" in Love Me Harder was mostly puffed air, of course her lower notes weren't settling in right, but overall when she was in her comfortable mid-range she sounded perfect. Bang Bang was solid besides an iffy head voice note after an impressive G5 belt. Break Free always seems to give her the most problems because of its lower extension, but again, it wasn't that bad. Problem, AKA the vocal event of the year, was surprisingly mowed down by Ariana's incredible upper chest voice. Though she did seem to lose her breath understandably at the end, all of the complaints one could give throughout the entire performance were minor. If Ariana could tweak her enunciation, pitch and lower register, it would be hard to register any complaints against her.

Overall: A-

Friday, November 7, 2014

Single Review: Selena Gomez - The Heart Wants What It Wants


Congratulations Selena, you've done something that many artists strive to do and fail to do time and time again. You finally made music for yourself, free of following the trends, free of trying to appeal to others; you made music that is for you and your healing. You've made a real artistic leap from Stars Dance and the general public should greatly appreciate that.

Stars Dance was a mess. Sure Come and Get It oozed sleek dubstep pop, but the rest of the album didn't have much to say. It felt like a label head was watching over her shoulder the entire time she was working on it to make something for the label and not for herself. However, The Heart Wants What It Wants is different, it's incredibly open, and offers new insight into one of the world's most infamous couples, it's quite the risk.

That said, THWWIW isn't perfect, production wise, it is lacking. There's only one small hook, and it doesn't leave a lasting impression. However, this opens many new doors for Selena to walk through, and hopefully this shows how risky and true to herself she will be with her music in the future.

Overall: 74/100

Friday, October 24, 2014

Track By Track Review: Taylor Swift - 1989


Taylor Swift's fifth album and first fully pop record was co produced by hitmaker Max Martin and is gunning for a platinum debut week. But is it worth the hype?

Welcome to New York: A lovely album opener, built on a sea of flashing synths. Swift wasn't kidding when she said 1989 was straight pop, and by New York's path, it seems to be the right move. A-

Blank Space: Passive aggressive shots at her detractors - "they'll tell you I'm insane" - play over a Lorde's Tennis Court inspired beat. A qucik mood change from the predecessor, but a welcome one. Some single potential lies around here. A-

Style: Something about this song just screams fun. It's so enjoyable, whether that's hidden in Swift's offbeat leaning or the production, it's hard to figure out. A-

Out of the Woods: The chorus is a bit bland, and at this point it exposes the formulamatic nature of the album: banging pop songs with Top 40 radio choruses. This seems like an innocent mistake from Swift, but if it were anyone else, Track 4 being an album filler would be a serious problem. B-

All You Had To Do Was Stay: Stay, despite it's peppy vibe feels oddly depressing. The lyrics are typical Swift, crushing the one who crushed her with her words. It's effective, but not anything extremely memorable. B

Shake it Off: A blatant single choice and hit, Shake It Off falsely makes it seem that Swift can't hold her ground in the pop world against Katy Perry or Lady Gaga. Too repetitive and overdone. D+

I Wish You Would: Less synths + more guitar = more variety. It's the closest thing to a ballad thus far, but it gets a bit jumbled. So far, it seems like the first three tracks are the Top three. C+

Bad Blood: The now infamous Katy Perry diss track. The sassy cheerleader chant turns into a vulnerable confession of being struck in Swift's soft spots. "Still got scars on my back from your knife" and "Band-aids don't fix bullet holes" make this standout lyrically thus far. Not terribly catchy, but terribly fascinating. A-

Wildest Dreams: The first slow tempo track trots in at Track 9. Exasperated breaths make this one sound tired. Nothing about it can cling to ones ears like the rest of the album. Very easy to pass over. D

How You Get the Girl: Some of the old Taylor returns with the strum of the first acoustic guitar. It doesn't seem like this one will be a single; and that's okay. This little gem can remain an album track for only the most deserving listeners. 1989's 22 is here and worth the wait. A+

This Love: The acoustic guitar makes a return on one of Swift's most somber tracks to date. One can't help thinking however that Sara Bareilles or even Enya could have pulled off this arioso ballad better. C+

I Know Places: The drum line at the beginning gave the illusion that Places might be a sharp contrast from the bubblegum sound of the rest of the album. Unfortunately, Places falls into the Max Martin choruses that have now become a realm of no escape for the album. D+

Clean: The curtain closes on 1989 with Clean. Quiet, simple and boring. The end of the album makes her audience feel exhausted. Though "the drought was the very worst" is a fascinating opening hook. D

1989 is filled with hits and misses. Swift's former pinpoint musical accuracy has been clouded by genre lines and trying to fit into the pop scene. As albums are going to continuously flutter around the pop sphere, 1989 feels too quiet and polite to make a blatant statement about who Swift is as a bonafide pop artist. And that means that this album will be passed over. Though the gems on 1989 are worthy of some true recognition, the full body of work is pigeonholed to be factory pressed pop.

Overall: 56/100 


Sunday, October 19, 2014

Album Review: Tove Lo - Queen of the Clouds


Tove Lo's debut album is dripping with vulnerability and honesty. The now infamous Habits (Stay High),  serves a catalyst for the rest of the album. The album is focused with pinpoint accuracy divided into three sections: sex, love and pain. Each song on the album fits into a section, making the entire album instantly cohesive. It's a tactic that makes the album function as a larger piece of art, rather than singles thrown together like groceries in a Walmart bag like Tove Lo's other pop contemporaries.

While the three themes seem to be depressing listed together, the album doesn't always reflect these disparities. The album is filled with slick grooves and hooks creating a lovely contrast between the lyrics and production. Tove Lo's Miley Cyrus-esque vocals and lyrics paint pictures with garish details.
While one shouldn't expect Tove Lo to be cemented as a staple pop act, her attitude in the present moment is comforting, knowing that pop music has territories that can still be explored.

Overall: 90/100

Sunday, September 28, 2014

Live Review: Ariana Grande @ SNL (Saturday Night Live)


Amidst a handful of rumors that Ari has been displaying questionable bratty behavior, Ariana Grande took the stage at SNL, and would hopefully prove that her talent justified some demands. The results are mixed.

Ariana has been widely hailed as the new Mariah, but last night's performance was anything but on that level. It wasn't terrible - certainly Taylor Swift or Katy Perry would consider this one of their stronger nights - but Ariana wasn't nailing it by any means. It was rocky, at least Break Free was. Her ballad rendition of Break Free was overrun with, well runs, and the uptempo version was breathy and lacked projection. And that F5 started out fine, but it went uncomfortably flat at the end when she tried to put vibrato on it. Again, it wasn't awful, it just wasn't something you would expect from the vocal powerhouse, especially given how impressive her studio vocals were. And of course, the awkward pairing of cat ears and boots that went past her knees reappeared.
But Love Me Harder was an improvement. Though she scared her band a bit by coming in a little bit awkwardly, she didn't have any problems with intonation, she looked professional and less age conflicted. But while this was solid, it wasn't great. She avoided some of the higher harmonies in the last chorus - fine - but The Weeknd and Ariana just seemed to shrug of the performance, it didn't feel like there was a lot of effort involved. There's a happy medium between enjoying a performance and not putting anything into it.

Overall, it was just an okay outing. It was adequate. I think everyone is and should expect more from the pint sized star.


For Break Free click here.